City of thieves, David Benioff

"City of thieves" is a wonderful, fun and horrific story based in 1941 Leningrad, a time and a place where you would not want to find yourself. Not even for a minute.

In the hands of the local police, instead of being executed, two young boys are given a shot at saving their own lives by complying with an outrageous directive: secure a dozen eggs for a powerful Soviet colonel to use in his daughter’s wedding cake. In a city cut off from all supplies and suffering unbelievable deprivation, Lev and Kolya embark on a hunt through the dire lawlessness of Leningrad and behind enemy lines to find the impossible.

The book is written in a KenFollettish adventure style - which is not a bad thing, it's just a fast-paced, action-filled style - and it's unbelievably engrossing. The historic background is also very credible and well-researched.

Charming and delicate at times, but mainly dark, grim and repulsive, like a story about the siege of Leningrad should be. There is some real horror in this story, the stuff of urban legends, and despite I'm sure it all happened (and worse) during the II World War, the author seems to aim a little too carefully for the reader-shock effect. But he also infused the novel with a lot of sense of humor, and a good number of heart-warming scenes.


The greatest thing about "City of thieves" is perhaps the dialogue: it's so vivid and alive. Benioff is an accomplished screenwriter (he wrote many if not all episodes of Game of Thrones), and I think you can hear that in the way he masters each character's unique voice. He also has a special skill at setting up exciting scenes where the stakes are raised and the tension is high. Unfortunately, among a lot of good work that he authored, he also wrote one of the very worst movies I've ever seen : "Troy". A rare opportunity to bring the heroes of ancient Greece alive on the silver screen, completely and utterly wasted and gone to the dogs. Although, to be fair to Benioff, the main problem with that movie was the dreadful casting. But that's another story. This novel is so worth reading.

Finally, I have to say I listened to the audiobook, read by Ron Pearlman. He's got a great baritone voice, and his Russian accent is realistic. His intonation and expressiveness were great when he read the dialogue, a bit less so when reading the narrating voice, where his tone verged on the "tough guy" side, without the need to do that.

Gilead, Marilynn Robinson

Although a work of literary fiction, this is probably the best book about God and the Christian Faith that I've ever read. It achieves what "The experience of God" by David Bentley Hart does, and then it surpasses it, by acknowledging the presumptuousness of anyone who tries to judge anyone else's faith.

Gilead (winner of 2005 Pulitzer for fiction) is written as a letter from a 76-year-old Congregationalist Preacher, John Ames, to his seven-year-old son. The pastor has been given only a few weeks to live by his doctor, and he writes down his thoughts in the hope that his son will read them in the future. This is really a fictional vehicle for the author to offer a splendid meditation on life and death and faith.

This rare thing happened to me while reading Gilead: at first, I couldn't stand it. Once I was about half way through, I started to flat out love it, and by the end I loved it even more, as it's a book that resonates with me in an almost perfect way. I heard that other readers also took some 50-70 pages before warming up to it. 

Initially I couldn't stand the main character, his "I made myself so happy by having you, my 7 year old son, but I'm so sorry I'm not leaving you any money at all, because I am 77, dying and broke". While on one hand he was complaining that he didn't have any money to pass on to his son, on the other he was idolizing his grandpa, who used to bully his wife into giving away all their money and possessions to anyone who asked. Typical human conflict, and typical struggle with money of every idealistic man, who doesn't want to get his hands dirty with the "dung of the Devil", except for when he needs it (can't live with it, can't live without it). In a fictional character, this doesn't make him particularly likable. But the truth is, I was too quick to judge John Ames.

Gilead is a book so full of depth, wisdom and poetry that by the end of it I was in awe. It also contains a lot of Christian theology and explicit and implicit references to the Bible - in particular, to the parable of the prodigal son - but none of that is presented in a preachy or academic tone. And certainly this is not a "book for Christians", as the tone is very open to a universal spirituality (for example: John Ames never mentions Jesus, only God).

In his balanced, slow-paced letter-style monologue, the main character also addresses atheism, and the thoughts of Feuerbach, Hegel, Calvin and other fine minds. His voice feels genuine, coming from the heart, and I'm sure the author often speaks her own mind through John Ames. You can tell that not only Marilynn Robinson means what her main character is saying, she also has clearly given these matters a lot of thought and study, and yes, I admit that, selfishly, seeing her thoughts on religion align perfectly well with mine helped me enjoy the book even more (I am catholic and the author comes from a Congregational church, but that makes zero difference to me).

Above all, it's so rare to find great depth and great positivity mixed together in the same book (or in the same artist / writer / person). It's much more common to find depth and desperation, or a happy superficiality. That's what makes Gilead such a treasure, its profound and optimistic wisdom.

Some reviewers found Gilead boring because there is "no plot". That's not exactly the case, but I can understand that if you are looking for a plot-driven book, this is not a title for you.

Gilead is much larger than its characters and much larger than the events that are being narrated. As I mentioned above, Robinson used the vehicle of fiction to express some very deep and heartfelt points about faith and religion. In my opinion, her greatest achievement in Gilead is that she succeeds in painting Christianity at its best. Christianity as a living, real thing, as opposed to a bunch of mindless dogmas. Christianity as a way of living, with all its messiness, contradictions, failures and struggles. But also, Christianity as seen from a very wise, positive and self-aware point of view. In fact, I found many thoughts and ideas in this book that seemed to come straight from St Augustin (whom I consider "Christianity at its best" when it comes to thinking).

Here is John Ames, the old pastor, writing about religious self-righteousness:

"People of any degree of religious sensitivity are always vulnerable to the accusation that their consciousness or their understanding does not attain to the highest standards of the faith, because that is always true of everyone. St Paul is eloquent on this subject. But if the awkwardness and falseness and failure of religion are interpreted to mean there is no core of truth in it, then people are disabled from trusting their thoughts, their expression of belief, and their understanding, and even from believing in the essential dignity of their and their neighbors' endlessly flawed experience of belief. It seems to me there is less meanness in atheism [than in religious self-righteousness], by a good measure."

And here's an excerpt from an interview with the author:

Interviewer: "Is GILEAD on some level a novel about “being Christian,” about what it might mean to live a Christian life?"

Robinson: "I think I can guardedly say yes. The fact is, being who I am, my definition of human life is perhaps not readily universalized. But I hope that it is not a narrow view of human life itself. I don’t have the feeling that people need to be Christian in order to understand what the novel is and what it means and so on, to recognize it’s about father-son relations, or parent-child relations. In the New Testament, of course, that’s the major metaphor for the situation of a human being in the world relative to God. I think that, in using that metaphor, the New Testament is appealing to something that people profoundly and universally know: what it is to love a child and what it is to love a parent. So that’s a big subject in the book."